There is a special kind of performance art that thrives in public life, and it begins beside a sign that reads No Smoking. Observe the vapor enthusiast who parks right under it and clouds the air with blueberry mist, exhales a plume worthy of a weather report, and smiles as if the sign were a helpful suggestion, like garnish on a plate. The vapor drifts, the rule wilts, and the only thing enforced is your cough. This is not smoking, it is vaping, as if the law were a matter of flavor. There is a nod, a shrug, a micro-apology that floats away with the haze. The No Smoking sign is reduced to décor, a wall tattoo for people who do not read signs.
Courtesy matters more than apologies for the inconvenience caused in modern shared spaces.
Just a few feet away, another chapter of the play unfolds. The casual smoker, who believes the world is one large ashtray, flicks a cigarette butt into the street, the gutter, the flowerbed, anywhere but the bin placed three steps away. These butts multiply like urban graffiti, lining curbs, wedged between tiles, bobbing in fountains. Each flick is a tiny manifesto of entitlement, declaring that gravity will deal with it, or better yet, the invisible hand of some underpaid cleaner. The world is left sprinkled with nicotine confetti, and the butt-tossing artist walks on, lighter in pocket, conscience unlit.
Close third, the elevator DJ who believes a lift is a private screening room. Political reels arrive uninvited, headlines bark, and choruses spill out of phone speakers to colonize twelve square feet of shared oxygen. Air Pods and headphones exist, but they are apparently for winter storage. The volume button is treated like a museum artifact, admired for its design, rarely engaged for its purpose. We travel a few floors and learn more about international politics than all the news headlines on Google News. Silence may be golden, but apparently buffering is the new anthem.
Cafés were invented for coffee and conversation, yet some seats now moonlight as footstools. Both feet firmly planted on the chair, as if gravity paid rent, soles preaching a gritty sermon that will print onto the next guest’s trousers. The pose looks carefree and youthful until your linen carries home a messy autograph that laundry cannot scrub from your mood.
The rise of apology culture in service and shared spaces
Service rituals have evolved into choreography. A latte leaps, the cup pirouettes, and a brown comet skids across the saucer like a stunt double. The server, unfazed, delivers the magic words with Olympic timing: “apologies for the inconvenience caused.” The apology is swift, almost athletic, as if trained in a rehearsal room. The spill is instantly rebranded, not a mistake, but an experience. No refund required, only sympathy points and a napkin so thin it moonlights as tracing paper.
It’s the modern script, stain, smile, apology, exit. A dance so universal you can hear it even before it arrives. Apologies have become the confetti of service culture, scattered freely and swept away with equal speed. The drink may be lukewarm, the order slightly wrong, the saucer trembling like a tuning fork, but the apology stands strong, spoken with the conviction of a treaty. It does not solve, but it soothes. And so the customer leaves with a caffeine buzz, a blot on their trouser, and a receipt stamped with the most enduring currency of our times: “apologies for the inconvenience caused.”
Then there are the table tenants, who annex a prime corner of the café for a three-hour summit, purchasing nothing but air rights. They treat the space as a public library with better lighting and free electricity, spreading bags and laptops like flags of occupation. Regulars, paying in coffee and croissants, are displaced to takeaway cups and office desks, while hospitality is left apologizing for its own generosity. The squatters beam with triumph, receipts absent, mugs nonexistent. They hold the prime real estate of the café economy, rent unpaid, debt unacknowledged, and tenure granted by sheer audacity.
From cafés to parking the script of inconvenience
Public toilets stage their own tragicomedy. Bins stand wide open, empty and expectant, like modern art installations, while tissue performs aerial stunts only to collapse everywhere but inside them. The floor mutates into a paper reef, a damp memorial to failed coordination. Each stall becomes a democracy of consequences where every visitor casts their vote with trajectory, not conscience. And in the corner, a cleaner bends with a mop, offering the only apology in sight, not for his misstep, but for the negligence of others, who accept it as though politeness were a disinfectant strong enough to erase their mess.
Parking stages its own farce. Spaces boldly marked Reserved are swiftly colonized by drivers who interpret the word as Reserved Exclusively for Me. You raise the issue, management responds with flawless courtesy, repeating the familiar line: “apologies for the inconvenience caused.” The car remains untouched, serene and unbothered, lounging in your spot like a cat on freshly folded laundry. You absorb the inconvenience, while the offender enjoys the perks of your reserved bay without so much as a warning, a fine, or even a flicker of shame.
Is this nothing more than a tally of small lapses, or a sign that courtesy is steadily devolving? Standards once assumed to be universal now seem optional, displaced by a culture where convenience outpaces consideration. Etiquette stalls alongside those elevator reels, while apologies arrive quickly and basic manners trail behind like lost luggage. The result is a slow comedy of manners, where patience has become the most expensive commodity in public life, and the humor fades long before the civility returns.
Courtesy makes shared spaces livable
Here is a better script. Politeness is not vintage. It is software that still updates. It runs quietly, reduces friction, and extends battery life for everyone in the room. It is a five-second fix repeated often. Lower the volume before the elevator door closes. Keep feet on the floor. Put trash in the bin. If you spill, fix first, apologize second. If you love a café’s ambiance, rent it fairly by ordering something, even if it is humble. Do not park in the space that announces it belongs to someone else. Smoke where smoke belongs, not where your convenience does.
None of this requires a campaign, only a decision. Good manners are public hygiene for the spirit. They turn shared spaces from arenas into places of respect. They remind us that courtesy is not about grand gestures but about recognizing the presence of others. When respect shapes our interactions, public life feels calmer, more livable, and less dependent on signs or scripted apologies.
Make courtesy the default, not the apology. Public life should not run on “apologies for the inconvenience caused.” Let it run on “appreciate the courtesy.” It may sound modest at first, then welcome, then expected. Until then choose the smallest generous act, done quickly, quietly, without applause. Be the reason someone gets home without a spill, without a headache, without another story about vape haze, elevator reels, shoe scuffs, or a car left in a clearly marked reserved space. That is impact. That is modern. Courtesy is respect in motion. No sign required. No apology either.
Author
Ajay Rajguru is the Founder & CEO of MENA Newswire, a language agnostic network streamlining content delivery across six continents. He also drives ventures including Newszy, Integrated Identity, ConSynSer, and CryptoWire, focusing on AI, ML, ad-tech, and content engagement.
